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“The Tortured Poets Department,” the brand new album from Taylor Swift, may have the largest opening week of any album this 12 months. Critical response to the discharge has been combined, however fan curiosity has remained extraordinarily excessive. And questions on Swift’s music and motivations abound.
On this week’s Popcast, a listener mailbag episode stuffed with questions prompted by Swift’s newest turns, together with
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How does “TTPD” mark the return to an earlier, way more private model of Swift’s music?
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What are the professionals and cons of turning “TTPD” right into a sudden double album?
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To what diploma is Swift in dialogue with the main indie-rock songwriters of the day?
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How does Swift interact with criticism, and with followers who lash out on her behalf?
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Could it’s, regardless of the decidedly combined response, that this album is Swift’s greatest?
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Will Swift ever voluntarily step away from the highlight?
Guests:
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Caryn Ganz, The New York Times’s pop music editor
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Tom Breihan, senior editor at Stereogum
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Content Source: www.nytimes.com